All Broadcast Magazine articles
-
-
FeaturesUK pushes reality to new heights
Ellie Kahn explores how UK producers are capitalising on a reality boom and a shift in perceptions
-
CommentWhy new routes to monetisation can be found beyond the screen
Producers are rethinking their strategies and finding creative ways to exploit their IP
-
FeaturesWhy international formats take centre stage in Spain
Imports have soared over the past 12 months but locally developed shows are beginning to emerge in places
-
The Broadcast InterviewBanijay’s Jane Turton on scale play & looking beyond TV
Deputy chief exec talks super-serving fans, her core focus, exploring M&A and digital innovation
-
FeaturesAnalysis: Is Netflix taking a bite out of YouTube?
Rising commercial tensions in the attention economy highlight how lines of engagement in the creator economy are blurring
-
RatingsGenre overview tables (June 2026 - 28-day consolidated)
Including top 10 entertainment, drama and sport programmes
-
RatingsLove Island feels the heat as ratings dip
Opening two weeks are the smallest in a decade, while Prime’s Clarkson’s Farm ploughs on
-
RatingsTip Toe quietly does the job for C4
Russell T Davies drama nabs a solid audience over its five episodes, slightly ahead of 5’s The Fortune
-
RatingsSecond outings fall short of debuts
BBC crime drama Death Valley and comedy Amandaland both fail to reach the heights of last year’s launches
-
RatingsRobot comedy starts brightly
BBC1’s Ann Droid enjoys a strong debut, while ITV’s gothic dramaThe Dark is in line with previous efforts.
-
FeaturesAnalysis: Can indies really make money on YouTube?
As producers follow the viewers migrating to the digital world, Manori Ravindran explores whether or not they are likely to turn a profit
-
RatingsBBC stays on top as socials gain share
Broadcaster maintained a narrow lead over Netflix in the first half of the year, with YouTube snapping at their heels
-
CommentChris Curtis: YouTube is a phenomenon – but let’s say the quiet bit out loud
The platform’s rapid rise has changed the environment for commercial broadcasters writes Broadcast’s editor-in-chief
-
The Broadcast InterviewKate Phillips: Shaping a quiet revolution
The BBC’s chief content officer discusses her commissioning overhaul and why she’s pushing the accelerator on digital content
-
Behind The ScenesWhy the Grand Tour is taking a new direction
Amazon Prime Video’s motoring show returns with a fresh presenting line-up of social media stars, but aims to keep its trademark humour and thrills
-
FeaturesEnd Credits: Deanne Cunningham
Head of development at Synchronicity on shopping, The Smiths and sensory deprivation
-
FeaturesBroadcasters play to their strengths as greenlights fall
Despite an 18% drop in commissions for the US, UK, Australia and Canada in H1 2026, the BBC and Bell Media held up well against their rivals
-
FeaturesRemembering Edinburgh: The good, the bad and the funny
As the TV Festival prepares to bid goodbye to the Scottish capital, industry leaders share their favourite memories of the annual gathering
-
The Broadcast InterviewFunny business: why Ranga Bee refuses to pick a lane
Co-founders Benjamin Green and Romesh Ranganathan talk to Broadcast about being more than a talent-led indie and what is coming next

















