The Glasgow-based post-production company has built a DCI-spec theatrical Baselight grading suite with 4K Christie projection
The studio will support History Hit’s transition to full video podcast production, with the network on track to deliver more than 1,000 episodes annually by the end of 2026
MPTS takes place this Wednesday and Thursday (13-14 May 2026) at the Grand Hall, Olympia London
Tom Woodall has launched PixelPantry, a series of self-serve tools for post production teams
Director Charlotte Regan, DP Christopher Sabogal and colourist Simone Grattarola explain how they created a distinctive visual style for BBC’s crime-drama
The creative team at Peter Anderson Studio explain how they built the intricate ‘Assault Course of Life’ sequence
Broadcast tours the UK’s largest studio complex to explore its expansion plans, training initiatives and pipeline of productions
Broadcast analyses how tradional TV is increasingly finding ways to tap into YouTube stars’ massive global fanbases
The new stage has been named to honour Dame Maggie Smith’s contribution to film, television, and the performing arts
The Ministry of Defence broadcaster has selected the streaming technology specialist to build ‘The Hub’
He will manage the global rollout of Futon, Framestore’s platform designed to integrate machine learning and genAI directly into the visual effects pipeline
The AI Training Network returns for the second year at MPTS 2026
Broadcast Tech visits Wales to talk to the people behind four of the country’s biggest TV and film studios
Jonathan Rawlinson, James Coore and Jack George all arrive from Realtime
Users can point phone camera at a TV and instantly see information and services related to what is playing
The Multiple platform brings creator matching, outreach, approvals, publishing and performance tracking into one system
Recorded live at the Broadcast Tech Cloud Innovations Forum, this panel features industry experts debating the merits of cloud versus local and hybrid workflows
Click the magazine to read about MPTS 2026, traditional TV companies’ efforts to partner with creators; the new types of content being produced with AI; sustainability in post-production; producing for US networks from the UK; what’s happening with Welsh studios; how VFX is approaching AI; and more