Digital may be the new frontier - but does it have a woman problem?
Ahead of International Women’s Day, Bronagh Monahan warns the wealth of talented women in the digital space mustn’t be overlooked
Comment: How VFX is evolving to cater to a changing marketplace
Mark Benson believes VFX supervisors and artists are leading the charge in meeting the complex demands of new platforms and formats
What professional VFX artists actually need from AI
Hoon Kim, CEO of Beeble.ai, looks at what the industry needs from AI tools
How to make digital experiences feel more human
The feeling of presence requires depth, motion, timing, and sound working in harmony, then we can feel fully immersed, says Nokia’s Saverio Blasi
Comment: From Tuning In to Choosing In
YouTube’s victory over the BBC in monthly reach figures marks the moment television went beyond the box, writes James Kirkham
Why engaging a colourist early can elevate a series
Residence Pictures co-founder and colourist Paul Harrison explains why a colour grade is just as vital as performance, cinematography, or sound design
Digital may be the new frontier - but does it have a woman problem?
Comment: How VFX is evolving to cater to a changing marketplace
What professional VFX artists actually need from AI
How to make digital experiences feel more human
Comment: From Tuning In to Choosing In
Why engaging a colourist early can elevate a series
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How we impressed Hollywood with a $3k film produced in our garage
Navaz and Roman Dowling extensively used virtual production to produce Entrenched, a polished Star Wars fan film that has seen them gain work in film and TV
Why we need to approach AI with a human agenda
Joe Lewis at The Voiceover Gallery says that when we embrace AI – not as a replacement, but as a tool – the future doesn’t feel quite as bleak
The Basics: From 30 lines to 8K UHD a brief history of television resolution
Darren Deans, media and broadcast marketing specialist, explores the evolution of television resolution
How creators are reshaping the entertainment industry
Olly Lewis of The Fifth explains why creators are now leading the way with TV entertainment formats
When is the right time to trust AI in VFX?
James Pollock, creative technologist at VFX house Lux Aeterna, looks at when and when not to use automation
Don’t neglect infrastructure in the tech broadcast revolution
Broadcasters should move off proprietary platforms to be able to move swiftly when opportunities arise, says Nutanix Unified Storage’s lead Stuart Heade
Neurodiversity – overcoming challenges in the workspace
Vicky Chapman, an editor at Woodcut Media, explains how she turns challenges into positives in the workplace
All hail the virtual production revolution
Studio Ulster head of commercial operations Alyssa Boyle highlights the significance of a new way of working
How Brighton is redefining regional production
Dave Austin at The Edit explains how the city has evolved from a fledgling regional player into a thriving creative powerhouse
Comment: Production is broken – smaller, smarter studios hold the key
Dominic Danson, founder and director of Twelve Noon Films, looks at how companies can navigate choppy waters
Could interactivity bring live events into homes?
Danny Theis, CEO at Imagien, looks at how technology could change how live events are consumed
How to maximise your relationship with VFX
Emma Kolasinska at Lux Aeterna explains how VFX artists can help solve story challenges and elevate your project without inflating the budget
How to bring live to FAST
Roger Franklin, chief strategy officer at LTN, looks at how live content could be vital for FAST
Why tech, not tariffs, could help US production
Scott Man, co-founder and co-CEO of Flawless, believes Trump’s tariffs are misguided
Putting a price on energy efficiency in streaming
Damien Sterkers, video solutions marketing director at Broadpeak, looks at how streamers can profit from being more sustainable
Why immersive storytelling has come of age
Immersive series director Charlotte Mikkelborg extols the virtues of producing great content for the Apple Vision Pro
The hidden costs in post-production budgets
Samuel Edney, managing director of CETA Software, looks at where post houses spend, and how to budget for it
How to launch your own virtual production studio
Ben Gunkel, broadcast manager, EMEA, at Disguise, explains how to set up your own virtual production studio
Post-production shouldn’t be an afterthought
Collaboration with post teams from inception to completion can yield dividends, says Arrow Media’s head of post-production Kyran Speirs
The remarkable history of The Moving Picture Company (MPC)
Mike Luckwell takes a trip down memory lane as he reveals the origins and incredible growth story of the globally renowned VFX house