Why we need to approach AI with a human agenda
Joe Lewis at The Voiceover Gallery says that when we embrace AI – not as a replacement, but as a tool – the future doesn’t feel quite as bleak
The Basics: From 30 lines to 8K UHD a brief history of television resolution
Darren Deans, media and broadcast marketing specialist, explores the evolution of television resolution
How creators are reshaping the entertainment industry
Olly Lewis of The Fifth explains why creators are now leading the way with TV entertainment formats
When is the right time to trust AI in VFX?
James Pollock, creative technologist at VFX house Lux Aeterna, looks at when and when not to use automation
Don’t neglect infrastructure in the tech broadcast revolution
Broadcasters should move off proprietary platforms to be able to move swiftly when opportunities arise, says Nutanix Unified Storage’s lead Stuart Heade
Neurodiversity – overcoming challenges in the workspace
Vicky Chapman, an editor at Woodcut Media, explains how she turns challenges into positives in the workplace
Why we need to approach AI with a human agenda
The Basics: From 30 lines to 8K UHD a brief history of television resolution
How creators are reshaping the entertainment industry
When is the right time to trust AI in VFX?
Don’t neglect infrastructure in the tech broadcast revolution
Neurodiversity – overcoming challenges in the workspace
comment
All hail the virtual production revolution
Studio Ulster head of commercial operations Alyssa Boyle highlights the significance of a new way of working
How Brighton is redefining regional production
Dave Austin at The Edit explains how the city has evolved from a fledgling regional player into a thriving creative powerhouse
Comment: Production is broken – smaller, smarter studios hold the key
Dominic Danson, founder and director of Twelve Noon Films, looks at how companies can navigate choppy waters
Could interactivity bring live events into homes?
Danny Theis, CEO at Imagien, looks at how technology could change how live events are consumed
How to maximise your relationship with VFX
Emma Kolasinska at Lux Aeterna explains how VFX artists can help solve story challenges and elevate your project without inflating the budget
How to bring live to FAST
Roger Franklin, chief strategy officer at LTN, looks at how live content could be vital for FAST
Why tech, not tariffs, could help US production
Scott Man, co-founder and co-CEO of Flawless, believes Trump’s tariffs are misguided
Putting a price on energy efficiency in streaming
Damien Sterkers, video solutions marketing director at Broadpeak, looks at how streamers can profit from being more sustainable
Why immersive storytelling has come of age
Immersive series director Charlotte Mikkelborg extols the virtues of producing great content for the Apple Vision Pro
The hidden costs in post-production budgets
Samuel Edney, managing director of CETA Software, looks at where post houses spend, and how to budget for it
How to launch your own virtual production studio
Ben Gunkel, broadcast manager, EMEA, at Disguise, explains how to set up your own virtual production studio
Post-production shouldn’t be an afterthought
Collaboration with post teams from inception to completion can yield dividends, says Arrow Media’s head of post-production Kyran Speirs
The remarkable history of The Moving Picture Company (MPC)
Mike Luckwell takes a trip down memory lane as he reveals the origins and incredible growth story of the globally renowned VFX house
IWD 2025: Encouraging opportunities for women in technology
Grace Boswood, technology & distribution director at Channel 4, explains how the broadcaster is seeking to accelerate change in the industry
IWD 2025: How to make tangible steps towards lasting change
Victoria Poole, founder of IfNotNowWhen, on moving beyond conversations about gender equality and doing something about it
IWD 2025: Championing diversity and inclusion in the creative industry
Amanda Luckwell, co-founder of Unit, explains how she is leading the charge to accelerate action towards achieving gender equality
The Basics: What is a green screen studio and how does it work?
Michael Lodmore, duty technology manager at dock10, explains everything you need to know about green screen studios
The fall of Technicolor – what went wrong
Will Cohen explains why the demise of Technicolor and its UK brands – MPC, The Mill and Mikros – was, sadly, inevitable, and what happens next
Comment: The importance of improving audience measurement
Didier Van der Coelden, CFO at Mediagenix, looks at how creative and commercial teams could work together more closely
Navigating post-production as a single mother
Gemma Comber discusses how flexible workplaces are making it possible to balance parental responsibilities and a demanding job