Post uncovered: Untold Studios on Remarkably Bright Creatures (Netflix)
Digital Domain launches DDAI to merge CGI with generative AI
Black Kite makes double creative director hire
Production & Post Uncovered: Dimension on Mercy (feature)
The Farm, Goldcrest, Fifty Fifty & Unit join Residence’s Pixel Pathway scheme
ITN Post takes the next step
Deep Fusion launches GenAI VFX division
The Look adds screening rooms and grading suites to London HQ
Foundry unveils Nuke Stage updates for virtual production workflows
Absolute & Blind Pig close down
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Blazing Griffin opens theatrical film grading suite in Glasgow
The Glasgow-based post-production company has built a DCI-spec theatrical Baselight grading suite with 4K Christie projection
Post uncovered: Time Based Arts on Mint (BBC1)
Director Charlotte Regan, DP Christopher Sabogal and colourist Simone Grattarola explain how they created a distinctive visual style for BBC’s crime-drama
Post uncovered: Margo’s Got Money Troubles - title sequence (Apple TV)
The creative team at Peter Anderson Studio explain how they built the intricate ‘Assault Course of Life’ sequence
Framestore appoints Theo Jones as creative director, AI
He will manage the global rollout of Futon, Framestore’s platform designed to integrate machine learning and genAI directly into the visual effects pipeline
The Loc Studios triple hire expands 3D & high-end episodic services
Jonathan Rawlinson, James Coore and Jack George all arrive from Realtime
Hybrid AI VFX studio The Next Valley launches
Alibi Studios and nmatic.ai have joined forces to launch The Next Valley, a hybrid AI VFX studio that combines human-led creative disciplines with genAI
Marshall Street Editors closes after 27 years, citing rent rises and costs
The editing house, founded in 1999 by Tim Thornton-Allan and John Mayes, announced its closure on Instagram, thanking staff, clients and partners
Jumbuck promotes Zubova & Boot
Zubova becomes deliverables manager, while Boot moves to ADR mixer
Broadcast Tech - Spring 2026
Click the magazine to read about MPTS 2026, traditional TV companies’ efforts to partner with creators; the new types of content being produced with AI; sustainability in post-production; producing for US networks from the UK; what’s happening with Welsh studios; how VFX is approaching AI; and more
Post uncovered: Untold Studios on Remarkably Bright Creatures (Netflix)
VFX house created a fully-CG octopus for the mystery drama
Production & Post Uncovered: Dimension on Mercy (feature)
Dimension reveals the work that went into motion graphics and virtual production, which played a key part in the Chris Pratt film
Post uncovered: Time Based Arts on Mint (BBC1)
Director Charlotte Regan, DP Christopher Sabogal and colourist Simone Grattarola explain how they created a distinctive visual style for BBC’s crime-drama
Post uncovered: Margo’s Got Money Troubles - title sequence (Apple TV)
The creative team at Peter Anderson Studio explain how they built the intricate ‘Assault Course of Life’ sequence
Post uncovered: Dock10 on Waterloo Road, series 17 (BBC)
The MediaCity facility has posted the BBC drama since its 2022 return, creating tailored workflows including on-set connectivity and remote recording capabilities
Post uncovered: Vine FX on After the Flood, Season 2 (ITV)
Vine FX delivered a full suite of effects across 336 shots and 94 sequences spanning all six episodes