Forever Audio adds Jez Nelson MBE to board
VFX uncovered: Absolute on Sweetpea (Sky)
Post uncovered: Vine FX on The Rig (season 2)
Post uncovered: Unit lights up Shoreditch skies with 3D holograms for Samsung
Suite unveils leadership changes
Best post-production house: Envy
Kanjee & Barrett acquire Picture Shop and reinstate Farm branding
Navigating post-production as a single mother
Filmlight reveals remote grading solution
The Yard joins UK Screen Alliance
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Adobe reveals AI auto-tagging & caption translation for Premiere Pro
Users can now search for objects, locations, camera angles, metadata, and more through natural language search panel
Podcast: The future of AI in post-production
Azimuth head of audio Kate Davis and HHB CTO John Johnson speak about how AI could assist future post workflows
Research finds “systemic” human rights issues in UK post-production
TV Industry Human Rights Forum and Film & TV Charity partnered to back the report
Knight-Jones returns to Milk VFX as business development director
Knight-Jones had previously spent slmost five years at VFX house, finishing as VFX producer
WATCH: Paul Trillo on using OpenAI’s Sora
The acclaimed filmmaker has made a number of short films and pop promos after being given full access to the text-to-video platform
Krotos introduces image-to-sound GenAI feature
The latest version of AI Ambience Generator for Krotos Studio generates text decriptions of images and then finds suitable audio ambiences for them
Post-production uncovered: Four Kings (Prime Video)
Director and DP Stewart Kyasimir explains how the boxing docu-series was post-produced at Workerbee
UK Screen Alliance CEO Neil Hatton awarded MBE
Hatton was recognised for his work elevating the UK’s VFX and animation industries
VFX uncovered: Senna (Scanline VFX for Netflix)
Insight from behind-the-scenes on the visual effects work for Netflix’s biopic
VFX uncovered: Absolute on Sweetpea (Sky)
Absolute’s Film & TV department delivered 484 shots over six episodes
Post uncovered: Vine FX on The Rig (season 2)
The VFX house established a new USD (Universal Scene Description) pipeline to handle the volume and complexity of the assets
Post uncovered: Unit lights up Shoreditch skies with 3D holograms for Samsung
The effects included a blue whale gliding through the sky, displays of the northern lights and flowers blooming to life
Post-production uncovered: Four Kings (Prime Video)
Director and DP Stewart Kyasimir explains how the boxing docu-series was post-produced at Workerbee
VFX uncovered: Senna (Scanline VFX for Netflix)
Insight from behind-the-scenes on the visual effects work for Netflix’s biopic
Post-production uncovered: Molinare on Sexy Beast (Paramount+)
Senior colourist Ross Baker reveals the work that went into grading the drama series