Envy opens on Stephen Street, reveals Halo plans, drops Evolutions
Milk and Lola Post become part of Phantom Media Group
The Mill reopens in London
Unit promotes Wakley to deputy head of production
Adobe partners with YouTube & Google Cloud
Adobe reveals AI-powered video editor & GenAI tools
Cinesite relocates Irles to London HQ
Freefolk promotes Hirani to VFX supervisor
Avid launches Pro Tools 2025.10
Beatoven.ai unveils AI sound effects generator
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Harbor rolls out FilmLight’s Nara across its US and UK facilities
It enables real-time collaboration across Harbor’s different locations
Slapshot unveils AI camera tracking
It reduces tracking that might have taken a day or more to do manually to under 10 minutes, says Slapshot’s maker
Netflix merges Scanline VFX into Eyeline
The combination of the two companies enables them to pioneer new tools, facilitate creative collaboration, and drive the future of filmmaking, says Netflix
VFX Uncovered: BlueBolt on Downton Abbey: The Grand Finale
VFX house produced 138 shots for Julian Fellowes’ cinematic conclusion to TV show
Ivors Academy aims to stop ghostwriting in music for TV and film
The Academy’s End Ghostwriting campaign aims to ensure every media composer is credited, better protected and paid fairly
Dirty Looks hires Jones as head of imaging & technical solutions
Jones formerly co-owned Roundtable Post
Jumbuck bolsters team with Timms
Re-recording mixer joins after almost six years with Formosa
Post uncovered: Union VFX on Dept Q (Netflix)
Effects included a TV being smashed through a window, landing on a car, a CG roof extension and a series of computer game-style police animatic shots
Laura Ricketts promoted to executive producer at Freefolk
She has been part of the Freefolk team for seven years
VFX Uncovered: BlueBolt on Downton Abbey: The Grand Finale
VFX house produced 138 shots for Julian Fellowes’ cinematic conclusion to TV show
Post uncovered: Union VFX on Dept Q (Netflix)
Effects included a TV being smashed through a window, landing on a car, a CG roof extension and a series of computer game-style police animatic shots
VFX Uncovered: Union on 28 Years Later (feature)
VFX studio produced over 900 shots for Danny Boyle and Alex Garland film
Post uncovered: Union VFX on Mountainhead (HBO)
Union VFX completed its VFX work on Mountainhead in just four weeks from start to finish.
Post uncovered: Scanline VFX on Star Wars: Andor season 2 (Disney+)
Scanline VFX completed 530 VFX shots on season 2 of Disney+’s acclaimed series Star Wars: Andor
Post uncovered: Formosa on Warfare (feature film)
The film tells the story of modern warfare, in real-time, through the memories of those who experienced it firsthand