Tech
ISE 2026: AMD launches Kintex UltraScale+ Gen2
ISE 2026: Sennheiser gives first look at Spectera API
ISE 2026: Mo-Sys reveals MoStudio
ISE 2026: Emergent launches AI-powered virtual production & graphics tools
Mars Academy names Nelson-Tabor as director
Meet Hollyland at BSC 2026 – Visit Us at Booth 433
Podcast: Is cloud too expensive?
Farrah Charles appointed general manager of Shepperton Studios
Canon launches single-operator system for multi-camera productions
Hat Trick stages ‘AI Jam’, pairing comedians with genAI tools
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Mexico's TV Azteca chooses Veset for playout disaster recovery
Veset Nimbus provides a ready-to-air channel in the cloud, without the cost of maintaining duplicate on-premise systems
Lucy McCutcheon to succeed Paul de Carvalho at 3 Mills Studios
McCutcheon will take over from de Carvalho, who is returning to Australia after nearly 11 years at the East London facility
Podcast: The BFI National Archive at 90
The BFI’s head of conservation Kieron Webb joins Memnon CEO Heidi Shakespeare to discuss how the organisation is preserving Britain’s screen heritage
South Shore selects Tanooki to manage archive and ongoing productions
Tanooki will consolidate South Shore’s media storage, dailies, review, collaboration, and transcription into a single system
Substack launches TV app
App will allow Apple TV and Google TV users to watch video posts and live streams
MPTS 2026 opens registration for 10th anniversary edition
MPTS 2026 takes place at Olympia London on 13-14 May, with 300+ exhibitors, a new Creator Hub, live podcast studio, and enhanced networking spaces
ERA appoints Phillip Boettcher as pre-sales manager
Boettcher joins from Jigsaw24 where he spent 14 years supporting production and post-production clients
Goalhanger appoints CFO, operations director and editorial director
Andy Hodgson joins as chief financial officer, Chloe Straw as director of operations and Emily Kent Smith as editorial director
Timelapse video shows ITN’s renovation of Good Morning Britain studio
The six-month renovation project sees LED technology replacing the virtual reality sets used since 2004